For much of its running time, Audition doesn't even feel like a horror film. It starts almost like a gentle romantic comedy with a middle-aged widower named Aoyama (Tetsu Sawaki) goaded into agreeing with a film producer pal's scheme to find him a new wife by holding fake movie auditions. As things develop, their plan seems more and more dodgy but nothing can prepare them for the final outcome. Delicate ex-ballerina Asami (Eihi Shiina) seems the most likely candidate for Aoyama, but her references don't check out, and the audience is tipped off early by seeing her home life: alone in an empty apartment with a mysterious sack. A sack that occasionally groans and moves.
Made by the ridiculously prolific Takashi Miike (who also made a TV miniseries, two TV movies and three other feature films in the same year) it's a film best approached with little foreknowledge. It inspired lesser film-makers to make plenty of violent, empty gestures of movies. But Miike has a message within Asami's madness, without which the film wouldn't hit as hard as it does. The final minutes are as unbearable as film can get.
Made by the ridiculously prolific Takashi Miike (who also made a TV miniseries, two TV movies and three other feature films in the same year) it's a film best approached with little foreknowledge. It inspired lesser film-makers to make plenty of violent, empty gestures of movies. But Miike has a message within Asami's madness, without which the film wouldn't hit as hard as it does. The final minutes are as unbearable as film can get.
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