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Showing posts with label Gore. Show all posts
Showing posts with label Gore. Show all posts

True Gore II (1989)

Don't be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)--M Dixon Causey's follow-up to the eponymous first entry--has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you'd find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s.

The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form; the 'intestines' stuffed into the mouth of the rotting corpse during the necromancy ritual, for instance, are clearly-visible sausage links, with no effort being made to disguise this (quite the opposite). Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a 'researcher' for a film that clearly had none, and a 'visual archivist' being listed in place of a cameraman.
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Cannibal Lunch Box (Triple Feature)

WARLOCK MOON -a bizarre blood cult is on the prowl for human sacrifices! A beautiful college co-ed is lured to an abandoned country club by a strange coven of cannibalistic witches, ghosts and brutal axe murderers. Will she be able to thwart their plans to recruit new victims for ritualistic murder? Or will she be the main course in a blood cult banquet? Starring a young Laurie Walters of TV s Eight is Enough and Joe Spano of TV s Hill Street Blues. BLOOD FEAST II
-from the godfather of gore, Herschell Gordon Lewis, comes from the most eagerly awaited sequel in the annals of splatter cinema! The cannibal caterer is back with a new recipe for gross-out, comedic carnage that literally blows chunks across the silver screen! From the groundbreaking production team of H.G. Lewis and David Friedman. MAN FROM DEEP RIVER -follow a photographer as he journeys through the treacherous jungles of South East Asia. Attacked and captured by a tribe of jungle dwelling savages, he attempts an escape, and commits a barbaric act that strangely earns him the respect of the natives. As a sign of acceptance, the tribe attempts to assimilate him into their fold, initiating him through a series of brutal and sadistic rites! Can he survive!
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Celluloid Nightmares (1999)

A female reporter researching underground sex films stumbles across a snuff film, and her further investigation causes the film makers to take action against her.
MU ZAN E is an extremely rough Japanese gore/sexual violence film by anyone's standards. Anyone who doesn't find some of the scenes in this film disgusting is inhuman. That being said, since that is exactly what I was looking for - I wasn't disappointed.
I will give a brief synopsis, and this is what I gathered, since my copy has no English subtitles or dubs: A reporter is doing some research on underground sex films. She does interviews with various people in the "industry" and goes on-set during the filming of a production. During her research, she comes across some snuff material. Apparently she begins researching that type of stuff too, and when she gets too close, certain people aren't happy with her prying and decide to take action against her...
Honestly, this film is NASTY,NASTY,NASTY. I can't think of anyone who truly enjoys this type of material as entertainment. My main interest in seeking this film is that I'm always looking for the most "shocking" films available. Let me tell ya, this is one of 'em. Not only that, but the story (what I could make of it) seemed pretty interesting (and far superior and more straight-forward than Yamnouchi's other offerings...), and I hope that Unearthed Films will release an English subtitled version. As far as I know, they hold the rights here in the U.S. but have no ETA as to when it will be released. I give this film a pretty high rating because it does exactly what it's intention is to do
repel, repulse and sicken - but again, the story is pretty decent
too, and even has an unexpected twist, which doesn't always happen in this new realm of Asian "super extreme" gore films. Recommended only for you truly sick f!cks out there!!! 8.5/10
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Color Me Blood Red (1965)

And the Bronze medal goes to... Color Me Blood Red, the third goriest, third most entertaining, and, the third installment of the legendary, Blood Trilogy. Sure, it wasn't as groundbreaking or gory as Blood Feast, or as flat-out entertaining as Two Thousand Maniacs, plus, the presence of a Thomas Wood and/or a Connie Mason might have helped a little, but I still consider the unwanted step-sibling of the Blood Trilogy to be a bit underrated. Color Me Blood Red has pleasant Sarasota beach locations, and not to mention, Adam Sorg is a lot more convincing as a killer than Fuad Ramses, or any single one of the 2000 Maniacs. just A hell of an actor, although, that's not what we're after. Color Me Blood Red also stars several attractive women, some of which not nearly as young as the roles suggests, this film just didn't seem to try all that hard to entertain us, not quite as ambitious as the first two. The so-called humor would seemingly fit more in something from a decade earlier, if ever. F stands for Farnsworth wasn't any funnier the second time Sorg said it, and Holy Banana's just doesn't express the horror and confusion one would feel after finding a girls leg. I suspect this movie inspired the Florida Bore of
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Premutos: The Fallen Angel (1997)

Premutos is the first of the fallen Angels, even before Lucifer. His Goal is to rule the world, the living and the dead. His son should pave the way for him and appears arbitrary throughout human history and is then recognized as some kind of monster. In the present time, a young man living in Germany begins to suffer from visionary flashbacks - of the lives he lived in the past as Premutos' son! He remembers how he appeared in the middle age, when mankind suffered from pestilence and during WWII in Russia. On his (earthly) father's birthday, a case containing some strange old book and a yellow potion is found in their garden, which was hidden by some peasant in 1943, who experimented with witchery in order to re-animate his deceased wife. Whe the young man gets in touch with the book and some of the yellow potion, he mutates into a monster and awakens an army of zombies, ready to bring back the fallen Angel Premutos and to disturb the little birthday party...

There is an incredible amount of blood and gore, this film easily ranks up with Peter Jackson's "Braindead". The 30 minute climax is amazing-non stop gore and slaughter. We have a glorious kill count of 139 here and they are seemingly all shown. There is also pretty nice sex scene added for a good measure. Highly recommended.
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Mondo Cannibale (1977)

Some movies are so awful that they cease to be movies. They become something much different and much worse, something less than film and more than Charades. Mondo Cannibal or Cannibal World or Mondo Cannibale, whatever you want to call it, is such a movie. It floats around in a gray area between cinema and home video that houses some of the worst ideas of the last hundred years. Bruno Mattei, AKA Vincent Dawn, is a master of this type of failure, specializing in late-night smut that only very rarely comes across as mildly funny and not totally worthless. His filmography is a laundry list of Italian crappola, story after story of zombies, cannibals, and monster sharks that tear humans limb from limb in a shower of red paint. Mondo Cannibal is no different, a movie that's not a movie, a pointless waste of time that fails to excite, illicit, or impress in any way.



In the world of American TV news, ratings are king. The monthly points reports decide which shows stay and which go, whose careers are advanced and whose are destroyed. There's no gray area; money talks and the only way to make money is to keep audiences and sponsors happy. For once-popular news anchor Grace Forsyte, this is bad news. Her program is losing popularity, after once being the paradigm of journalism. She & her team could keep audiences glued for hours with their sensationalist reports, stories of horror & danger that you couldn't pull yourself away from. But that was before, this is now, and Grace has fallen from, well, grace. She needs a boost, a new project, a return to the old style, something to spark her career and get the viewers that once loved her back in their easy chairs.

So, who does she turn to but her old pal Bob Manson. Bob was once part of the team, a valuable asset in the world of smutty journalism. He would stop at nothing for a story, break any rule, ignore any moral, do whatever it took. But the guy has turned soft, wanting to save the Amazon rainforest or some such nonsense, no longer caring about the highest rating & the most money. This change in attitude won't stop Grace, as she is determined to get the old team back together, hike into the jungles, and find something that supposedly doesn't exist; a native cannibal tribe. If she could get some blood & gore back on TV, her job would be secure, sponsors would line up at the door, and her career would be back on track. All she has to do is convince Bob, gather the troops, set off on a dangerous mission, disrupt the native culture, and kill some cannibals. All in a day's work, right?


I've seen some bad late-night comedies and b-movies, stories that barely make sense and are basically a vehicle for cheap humor, unrealistic violence, and a couple boobs. I respect the genre for what it is; a complete break from normal cinema, a ridiculous & absurd spoof on the seriousness of Hollywood. I can enjoy those movies for what they are and watch them knowing that they need to be judged a little different than regular movies. But I'll say it again; Mondo Cannibal isn't really a movie. It's a sad attempt at ...something ...by a group of ...someones...that never feels like a coherent collection of ideas brought together for one purpose. It's more an outdoor drama performed by idiots than an actual film, as it has no elements of story, depth, or purpose, and never feels like anything other than crap.


I'll try to clarify, because I don't want you to watch this movie in an attempt to understand why this movie isn't a movie after all. Hopefully I can save you the misery and the wasted time, though it's hard to describe the complete failure that is this project. There's zero humor; not a hint of pun or satire or gag, nothing at all. There's no sex appeal; a couple of women are seen topless, but not in a way that I would imagine anyone found arousing. There's no point; the story exists only to showcase people eating people for the sake of some twisted gross-out factor. And even that is done poorly, with fake blood & over-the-top gore that's about as believable as it is enjoyable to watch. The acting is bad, the editing is bad, the direction is bad, the plot is dumb, and oh yeah, it's dubbed from Italian to English, which may actually be the funniest part of the whole film.

Mondo Cannibal was based on Cannibal Holocaust, another Italian cannibal/horror film made in 1980. Perhaps the original is much better, or perhaps it at least feels relevant to its time period & genre. And perhaps this one was trying to copy that one, have the same feel, I don't know. It doesn't really matter; this was a horrible, horrible movie that shouldn't be watched by anyone that I can think of. The video was poor, the audio was bad, there's only one extra, and I see no reason that this film was ever made.
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The Body Shop (1972)

Emminent plastic surgeon and mad scientist Don Brandon loses his wife Anitra - pinup model and social butterfly - in a tragic accident. He and his faithful humpbacked and drooling assistant Igor - oops, I mean Greg - busy themselves experimenting with re-animation experiments. Once ready, the good Doctor begins luring young women back to the lab with hypnosis in order to gather select parts to create a New and Improved Anitra.

The lines in the title of this review are the first lines in this film's theme song, a wonderfully demented parody of the (in my opinion horrible) song "My favorite things" from "The Sound of Music". And this fun little detail isn't the only aspect that makes "The Body Shop" aka. "Doctor Gore" (1973) recommendable to my fellow Gore/Trash fans. The film, which was created almost entirely by J.G. Patterson Jr., who served as producer, writer, director and leading man as the eponymous Dr. Gore, is crap, no doubt, but it is also beyond doubt that it is amusing, and that everyone involved, probably Patterson especially, was aware that they were not exactly making a masterpiece.

Dr. Brandon (Patterson) a famous but totally insane plastic surgeon, looses his beloved wife Anitra, a model, in an accident. Along with his hunchbacked assistant Greg (Roy Mehaffey), he henceforth kidnaps beautiful young women in order to build himself a new, perfect wife out of their body-parts...

"Doctor Gore" is doubtlessly a film of the 'so bad it's good kind', but it is also has qualities beyond the usual ridiculous trashiness. Mad science has always been one of my absolute favorite Horror topics, and, as a matter of fact, it is also one of the coolest topics for ridiculous Gore Trash flicks. Obviously shot on a minimal budget, "Doctor Gore" pays some homage to the "Frankenstein" films, especially James Whale's masterpiece "Bride of Frankenstein" (1935), and resembles the look of the early Troma / Herschell Gordon Lewis Gore flicks such as "Blood Feast" (1963) - only that this looks a lot cheaper and crappier. Obviously J.G. Patterson's motive was not merely to make a fun gore flick: Being a rather ugly, weird-looking fellow, his role of Dr. Brandon gave Patterson the opportunity to make out with a couple of hot, scarcely dressed young women (who would later end up as body-part donors in Dr. Brandon's laboratory).

Most of the gore is actually pretty well-made regarding the obviously tiny budget. The dialogue includes some extremely hilarious lines ("Get that, it might be the door... and put a coat on so they don't see you're a hunchback."). Besides the aforementioned theme song, "Doctor Gore" also includes a wonderfully crappy appearance by a country band called 'Bill Hicks and the Rainbows' - my new favorite band, NOT. For the rest of the film, I kept wondering whether Bill Hicks and Roy Mehaffey, who plays the hunchbacked assistant, are twins or even the same person - the two look exactly the same, and having two unrelated obese, red-bearded guys looking this weird in one film would be a huge coincidence. Other than J.G. Patterson, most of the cast members never did any other films. This is the first film I've seen out of the few by Patterson. Sadly, the man died of cancer in 1975.

Overall, "Doctor Gore" is a film that certainly isn't for everyone. As a matter of fact, it is total crap. But it is also amusing, and recommendable to my fellow fans of weirdness and cheap camp stuff. Dictionaries should show a screenshot from this film under 'trash flick'.
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Pieces (1982)

While playing with a puzzle, a teenager is repressed by his mother, and he kills her and severs her body with an ax. Forty years later, in an university campus in Boston, a serial killer kills young women and severs their bodies in parts, stealing body pieces from each student. Lt. Bracken makes a deal with the dean of the campus, and infiltrates the agent Mary Riggs as if she were a tennis teacher and together with the student Kendall, they try to find the identity of the killer.

It is a rare cinematic occurrence indeed to find such delightfully sleazy ingredients as chainsaw massacres, disco aerobics, on screen vomiting, pornographic jigsaw puzzles, a girl wetting her pants, and a guy salivating over a woman's feet all in one place. Only from the combined minds of Joe D'Amato, Dick Randall, and J. Piquer Simon could such a thing spring forth – and judging from the number of reviews here, I'm not alone in my fondness for this movie.

Many of the cast members will be familiar to fans of these kinds of movies. Christopher George (having already been through Graduation Day and a trip to the Mortuary) is a strong lead as the no-nonsense detective on the case, while Jess Franco veteran Jack Taylor creeps around the increasingly decimated campus as an anatomy professor. Of course the victims are just anonymous dead meat, but then that's all they need to be.

Say what you will about the overall quality of the film, but one thing's for sure - Pieces doesn't suffer from a lack of blood and guts. The crimson stuff flows freely once the chainsaw starts up, and the movie actually lives up to the surprisingly honest tagline - `it's exactly what you think it is' - take it or leave it. And the ending - what an ending!
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Splatter Farm (1987)

Two young twins are sent to spend time at their aunt's farm. What nobody knows is that the aunt's handyman is a psycho serial killer who dismembers his victims and stores their body parts in the barn.

I have been watching obscure horror movies for years and years. I have seen many of the unknown classics, like WOODCHIPPER MASSACRE, BLOODBATH IN PSYCHO TOWN, and HORROR HOUSE ON HIGHWAY FIVE. But NO movie--no matter how crazy, no matter how sick, or no matter how deranged--could've possibly prepared me for the Polonia Brothers' SPLATTER FARM.

Take it from me: you have never seen anything like this movie, and you never ever will. No other production could possibly be more nauseating, more shocking, and more badly-produced than this one. Also, no other production could possibly be cheaper, as SPLATTER FARM has absolutely NO budget (And when I say "no budget", I mean just that... Not $20000, not $1000, not even $200... But ZERO DOLLARS!).

So what exactly is this home-made, shot-on-video masterpiece about? Well, it's hard to say exactly, but I'll give it a go: teenage twins Joseph and Alan go to stay with their lonely (and really, really old) Aunt Lacy, who aside from having necrophilic tendencies with her deceased husband, lusts after her nephew Alan. During their visit, they notice their Aunt's perverted homosexual groundskeeper (Jeremy, played brilliantly by Todd Rimatti) has been exhibiting some rather strange behavior. It seems Jeremy has a bad habit of killing the townsfolk, dismembering them, and storing their body parts in his barn to use for sexual gratification later on. The boys are unable to get ahold of anybody on the outside, and now feel that their lives are in danger, so they begin to take charge of the situation. And that's when it really, REALLLLLY gets ugly.

Does it sound f'ed up? Well, lemme tell ya: I can't even BEGIN to emphasize just how f'ed up this movie is, and just how sickeningly far it goes. In fact, I was so awestruck by this little feature that I soon grew an unhealthy obsession with it. I did as much research as I could on this little obscurity and gathered up every scrap of information I could find. But, for the most part, its production, its actors, and how it somehow got made and distributed in the first place are still a nagging enigma to me. I have watched it several times with numerous people, all of whom were speechless and appalled as the story unfolded. One of my friends, Paul, has also fallen in mad love with SPLATTER FARM and has written a review on this web site as well. Because of this movie I have developed a deep appreciation for the Polonia Brothers and their many bizarre films. I would love to meet them some day, for I am sure they are the sole reason I exist.

PLEASE SEEK OUT AND WATCH THIS MOVIE. You might not like it (in fact, I'm pretty sure you won't), but you WILL be entertained by it, and it will indeed shock the living hell out of you. And, as I stated earlier, you will never see anything like it for the rest of your meaningless, pitiful existence. Trust me.
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