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Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Black Torment

Sir Richard and his second wife hear of 18th-century evil done by someone who looks like Sir Richard.
BLACK TORMENT was a movie I read about in books on British horror films but it was one which I had never seen until I was recently able to rent it locally. I was so impressed that I went out and bought it. It's not a classic but it is very well done. BLACK TORMENT was made in 1964 by a small production called Compton headed up by Tony Tenser who would eventually start one of Hammer's main competitors Tigon Films (makers of WITCHFINDER GENERAL, BLOOD ON SATAN'S CLAW) later in the decade. Compton produced some interesting films in the mid-1960s including Roman Polanski's REPULSION, The Sherlock Holmes meets Jack the Ripper thriller A STUDY IN TERROR and George Harrison's WONDERWALL. BLACK TORMENT was obviously an attempt to cash in on the success of Hammer Films and the film turns out to be not such much a horror film as a Gothic one like those being produced in Italy with Barbara Steele (CASTLE OF BLOOD, NIGHTMARE CASTLE) although not as gruesome. In fact it was of the few true English Gothic movies that I've seen as it comes straight out of the tradition of Ann Radcliffe and Horace Walpole.

The plot is standard Gothic stuff. An 18th century nobleman returns to his family estate only to be told that he's been there before and committed murder. He begins to see the ghost of his first wife and starts to doubt his own sanity. Meanwhile more murders are occuring. If you're a fan of Gothic literature you'll have a pretty good idea of how this all turns out but I won't spoil it for you. The film is beautifully shot which comes as no surprise since the cameraman is Peter Newbrook who would later direct the atmospheric Victorian shocker THE ASPHYX. The real surprise is that the director is Robert Hartford-Davis who would go on to make CORRUPTION and BLOODSUCKERS (INCENSE FOR THE DAMNED) two very different films in terms of style and content. All were photographed by Newbrook so there is that connecting thread. Although there are no major genre stars, the costumes are appropriate, the settings atmospheric (inside and out), and the music is effective. A good, old-fashioned Gothic thriller that really entertains if you're into this sort of thing. This Redemption DVD of BLACK TORMENT looks very good but I'm sure there's a better print out there somewhere.
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Bela Lugosi Horror Collection

The BELA LUGOSI HORROR COLLECTION is a decent, 8-movie compilation of scratchy, public domain films. WHITE ZOMBIE has Bela as the eeevil Murder Legendre, lording it over his crew of zombie slaves. Arguably Lugosi's finest, creepiest role! BOWERY AT MIDNIGHT has Bela playing another wicked role as a crime-boss, killing off the unwary for fun and profit. INVISIBLE GHOST- A man (Lugosi) is haunted by the image of his dead wife. Is he insane, or is something else going on? SPOOKS RUN WILD is one of the two films that Bela made w/ the East Side Kids (the other one, GHOSTS ON THE LOOSE, is not in this collection). Basically, the Kids run around in a big old house w/ Lugosi. Suitably absurd. THE CORPSE VANISHES- A mad scientist (Bela) murders young brides, absconds w/ their bodies, and uses their fluids to keep his wife alive! Every bit as awesome as it sounds! In THE DEVIL BAT, Bela plays another mad scientist. This time, he's developed a gigantic, mutant bat that he uses to exact vengeance on those who've wronged him. Pure, cheeezy delight! THE APE MAN finds Lugosi in an Amish-like beard, sleeping in a cage w/ his go-rilla
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Hell of the Living Dead

'Hell of the Living Dead' is the kinda zombie movie you see after you've seen all the good ones. And yeah, this is pretty crappy, and not as amusing on a camp level as a lotta other lousy horror movies. However, if you're the sorta person who is even considering watching this film, you might as well go ahead. You'll probably enjoy yourself, more or less, though you'll probably just wanna watch 'Dawn of the Dead' or The Beyond again for the 10th time rather than watch this again.

Zombie movies have never been too good with plot, and this film is no exception. There's a not too bright seeming journalist lady, who will get naked, a couple a dudes in blue uniforms who are apparently supposed to be SWAT team members, and zombies. A whole zombie conspiracy, as a matter of fact, leading to what has got to be the lamest attempt at social commentary your gonna see in a zombie movie outside of 'Dr.Butcher M.D.' perhaps. (That movie is awesome. Check it out if you haven't seen it, though if you're looking at this, you probably already have.) The film takes place in New Guinea, I believe, which leaves them ample
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The Tomb of Ligeia (1964)

MGM supplies a double dose of Price and Poe with this Midnight Movies release of The Tomb of Ligeia (1965) and An Evening of Edgar Allan Poe (1970). The Tomb of Ligeia, directed by Roger Corman, was his last of the popular Poe series of films, and Corman certainly went out in style. Opting for shooting on location rather than use of soundstages, the production here is lavish and infinitely enjoyable.

The story centers on Verden Fell (Vincent Price), who lives in a run down abbey, with his wife, Ligeia, buried within the grounds. But is she actually dead? It was said her will was so strong, her desire to live so palpable, that maybe she didn't really pass. Elizabeth Sheppard also stars as Lady Rowena Trevanion, a woman who has a chance meeting with Verden, and soon finds herself enthralled with the man, despite his peculiarities, like his aversion to sunlight, his living in an abandoned abbey, etc. They are soon married, and then the weirdness really begins. Strange dreams, a black cat, Verden mysteriously disappearing in the night, and a sense that Verden's deceased wife, while not around in a physical sense, is somewhere in the abbey...maybe everywhere in the abbey, as her presence seems to permeated the structure, and it doesn't seem like she's too happy about Verden getting re-married...so what's the secret behind Verden's strange behavior? Is Ligeia really dead? What is the menacing presence lurking within the abbey, intent on haunting Lady Rowena?
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The Comedy of Terrors / The Raven (Midnite Movies Double Feature)

Vincent Price and Peter Lorre star in a chilling double feature. Business is booming at a funeral parlor that employs a murderous undertaker in Comedy of Terrors (Basil Rathbone. 1964/84 min.), and three powerful magicians engage in a battle for supremacy in The Raven (Boris Karloff. 1963/86 min.). Color/NR.
I love Vincent Price and Peter Lorre, not to mention Poe, so I was certainly looking forward to watching these.

The first movie is The Comedy of Terrors and it really is quite funny. Since you've read the plot a million times on these reviews, I'll cut to the chase. Vincent Price and Peter Lorre try to drum up more business for a funeral home through murder, hence more customers.
Vincent Price is laugh out loud funny, and really does have a talent for comedy, as does Peter Lorre. The facial expressions of Price are fantastic, as they were in Tales of Terror and it's an enjoyable film to watch. Watch for the actress called "Beverly Hills" in this one. (You'll recognize her by her, uh, name.) On a last note with this movie, Joyce Jameson, sexy as always, plays the wife of Vincent Price in this, and it's just so nice to watch a film where you know that all the women involved have natural figures from the waist up. No guessing here. This era has passed.
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Jaws 2 [Blu-ray]

The horror is far from over as Roy Scheider, Lorraine Gary and Murray Hamilton reprise their iconic roles in Jaws 2. Four years after the great white shark terrorized the small resort of Amity, unsuspecting vacationers begin disappearing in an all-too-familiar fashion. Police Chief Brody (Scheider) finds himself in a race against time when a new shark attacks ten sailboats manned by teenagers, including his own two sons. The same heart-stopping suspense and gripping adventure that enthralled movie audiences throughout the world in Jaws returns in this worthy sequel to the original motion picture classic.
To believe that any effort to make a 'Jaws' sequel could compare with the impact of Steven Spielberg's original was a doomed notion even in 1978: the original was and is a cinematic classic of the highest order (despite having spent much of the '90s in almost-infinite rerun on the Turner networks), so much so that no sequel would ever have been able to measure up to its legacy. What happened basically is this: Universal execs saw the budget and schedule for 'Jaws' balloon so badly because of all its production troubles that they told Spielberg he'd never work in Hollywood again, UNTIL the movie was released and broke every box-office record imaginable. As they are wont to do in the face of staggering profit, these moneymongers quickly turned keel and told Spielberg they were behind him 100 percent the whole time and they wanted to know when he was planning to start shooting 'Jaws 2'. Spielberg, being smart, said 'No thanks', so the execs decided to go ahead with 'Jaws 2' without him. BIG mistake.
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Witchdoctor of the Livingdead 1985

Year: 1985
Duration: 01:20:01
Directed by: Charles Abi Enonchong
Actors: Joe Layode, St. Mary Enonchong, Victor Eriabie
Language: English
Country: Nigeria
Also known as:

Description: A village is suffering from destroyed crops, ghostly apparitions and unexplained deaths.
They suspect the place has been cursed by and old witch doctor unhappy that the population turned Christian.
The local priest faces him, but the witch doctor makes the dead rise to fight the living!
"The story goes like this: a small, shitty village is being plagued with visions of the dead, destroyed crops, and curious deaths. It seems an evil witch doctor is behind all of this, angry over the village abandoning the religious beliefs of their ancestors. His main rival is the local priest, and some sort of a cop guy... The rivalry builds until the Witchdoctor uses his evil powers to ressurect the dead, and unleashes an army of zombies on the villagers!"
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Zombie High (Scream Factory) (DVD / Blu-Ray Combo)

Zombie High (Scream Factory) (DVD / Blu-Ray Combo)

The incredible story of a hard-working student and the warped way of life that made her go wacky! Virginia Madsen (Candyman, Sideways) and Richard Cox (Cruising) star in this humorous thriller about the bizarre happenings that occur in a prestigious boarding school. It seems to Andrea Miller (Madsen) that the upper-classmen act like robots. They're the perfect students – dedicated, involved and loyal. Their clothes are perfectly pressed and their hair is perfectly styled. It seems that the teachers have something to do with this ingratiating behavior. And when Andrea, the new kid at school, sees her friends turning into clones, she starts to suspect the worst. The film features a great supporting cast including Sherilyn Fenn (Twin Peaks, Ray Donovan), Scott Coffey (Mullholland Drive, Lost Highway) and Paul Feig, who would go on to create the TV series Freaks And Geeks and direct such films as Spy, Bridsmaids and the 2016 remake of Ghostbusters. - See more at: http://www.diabolikdvd.com/category/Cult-Favorites/Zombie-High-(Scream-Factory)-(DVD-%5Bsl%5D-Blu~Ray-Combo).html#sthash.xFlEVu3h.dpuf
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Hardgore (1974)

A nymphomaniac goes to a sanitarium in hopes of being cured; it turns out the sanitarium is a front for a Satanic cult luring young women into a web of madness, torture, and sex... But mostly just sex.

"Hardgore/Horror Whore" is a curious mixture between hardcore porn and gore movie, filmed in the 1970s, when the film makers still had inspirations and a sense for the grotesque. The story is about a young girl who´s taken to a private clinic where the female patients are forced to take part at satanic sex orgies. However, afterwards they all get killed violently by the doctors and the attendants... Indeed a strange flick, but interesting to watch and very entertaining!

The whole film has sometimes a very psychedelic feeling, like a trip on drugs, and director Michael Hugo did a great job with creating a nightmarish atmosphere! Especially the dream-sequence when the main actresses is fizzed all over with the sperm of three rocket dicks is the climax of the whole film! And such nasty killing scenes like an orgasm-beheading or a cut off dick enhance "Hardgore" over the usual porn standard and bring it almost on the level of a Joe D´Amato movie!
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Night of the Comet (Scream Factory) (DVD / Blu-Ray Combo)

Night of the Comet (Scream Factory) (DVD / Blu-Ray Combo)

Night Of The Living Dead Meets Valley Girl In This “Entertaining, Tongue-In-Cheek Pastiche Of Numerous Science Fiction Films.” - Variety

It’s the first comet to buzz the planet in 65 million years, and everyone seems to be celebrating its imminent arrival. Everyone, that is, except Regina Belmont (Catherine Mary Stewart,  The Last Starfighter) and her younger sister Samantha (Kelli Maroney, Chopping Mall), two Valley Girls who care more about  fashion trends than the celestial phenomenon. But upon daybreak, when the girls discover that they’re the only residents of Los Angeles whom the comet hasn’t vaporized or turned into a zombie, they do what all good Valley Girls do…they go shopping! But when their day of malling threatens to become a day of mauling, these gals flee with killer zombies and blood-seeking scientists in hot pursuit! 
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Rainbow Man (1949)

Yuri Kobata is the main suspect of a murder/arson case. School friend Mimi Simikai and her boyfriend Ryousuke Akashi start an investigation to prove Yuri’s innocence. Yuri’s alibi leads to the mysterious Maya house located in the middle of nowhere. The creepy Maya family who lives there consists of a deranged painter, a cat lady, and a man researching spectral lights. Slowly people begin dying while yelling the words “rainbow, rainbow, rainbow!” The mystery unravels into more than Mimi and Ryousuke bargain for. Filmed in black and white, but in a unique sequence, a rainbow appears in color before each murder in the movie.

Based on a 1947 story by romance/detective novelist, Kikuo Tsunoda (Tsubanari Ronin and Dokuro-sen). Special visual effects were provided by cinematographer, Tatsuyuki Yokota and the legendary Eiji Tsuburaya. All topped off with a music score by Akira Ifukube!

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Death Becomes Her (Collector's Edition) [Blu-ray]

Directed by the amazing Robert Zemeckis, "Death Becomes Her" features a clever script, an awesome cast, and mind-blowing special effects that most Hollywood films lack nowadays. The film centers on the eternal quest for beauty and youth by an aging Hollywood starlet, Madeline Ashton, (played by the brillant Meryl Streep). Her high school rival, Helen, (Goldie Hawn), brings her latest beau to meet Ashton after a campy performance in a musical based on "Sweet Bird of Youth" (get the theme already?).
When Madeline runs off with Helen's fiance (Bruce Willis) Helen falls into a demented state and becomes obese and determined to get even with Madeline. After discovering a secret potion sold by a Hollywood witch (Isabella Rosellini) both Helen, and later Madeline regain their youth, vitality, and beauty. However, all this comes with strings involving immortality.
The wonderful script pokes fun at many stereotypes, rumors, and realities Hollywood is well-known for. From plastic surgery to the fact that no one has never met a neighbor in Los Angeles, the script is intelligent scriptwriting at its' best. The special effects by Industrial Light and Magic which has Helen walking with a hole through her midsection, and Madeline walking with a twisted neck are incredible to watch. One thing I adored about this film was the wicked, dark, and diabolical score by Alan Silvestri that incorporates harps and vengeful theme throughout the film.
The film's ending featuring a legion of Hollywood's undead (including Marilyn Monroe, Elvis, and James Dean)is hysterical and even the names of the two main characters, Madeline ("Mad" as in crazy) and Helen ("Hell" as in hellish) is genius. Personally along with "She-Devil," "Heathers," and "Scenes from the Class Struggle in Beverly Hills," this film ranks as one of the best black comedies to come out in recent years. A must-see for everyone!
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Classic Monsters Spotlight Collection [Dracula, Frankenstein, The Bride of Frankenstein, Creature from Black Lagoon] (Universal's 100th Anniversary)

The Universal Classic Monsters: The Essential Collection [Blu-ray] was too expensive, so I bought the DVD set. The product came in the mail today, and it arrived in great condition. It had 4 great movies for a great price. The movies included were, Dracula, Frankenstein, The Bride of Frankenstein, and Creature from the Black Lagoon. These are the 1999 DVD versions of the films, but the quality was pretty good for these older movies. I just watched Frankenstein on my Play Station 3, and it looked great. I know the picture is not as good as the Blu-ray set, but it still looked very impressive. I love all of these films, but Frankenstein and The Bride of Frankenstein still remain my favorites(Frankenstein is probably the first horror movie I ever saw).Dracula is another one of my favorites. Bela Lugosi is classic as Dracula. Creature from the Black Lagoon was good, but not great. Over all,the quality is great, and you could watch these over and over again. And what more would you ask than that?
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TCM Greatest Classic Films Collection: Horror (House of Wax 1953 / The Haunting 1963 / Freaks / Dr. Jekyll and Mr. Hyde 1941)

This is a two-sided DVD that contains two versions of the Robert Louis Stevenson classic. As many other reviewers here have said, the 1932 Frederick March version is far superior to the 1941 Spencer Tracy version. The older version, directed by a 34-year-old Rouben Mamoulian, is a masterpiece and part of movie history. The later version, directed by Gone With the Wind and Wizard of Oz director Victor Fleming, seems like an uninspired copy of the earlier one. Frederick March understood the role and seemed to revel in it. But, oddly, while he overacts a bit as Jeykyll, he seems totally believable as the monstrous Hyde. Tracy seemed uncomfortable with both personalities, playing Jekyll as too much of a saint and Hyde as too much of a leering sadist. March conveys the personality of Hyde as joyfully enervated by the full release of Jeykll's baser instincts. His Hyde has fun with his own badness. Tracy's just drowns in it.
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The Boris Karloff Collection (Tower of London / The Black Castle / The Climax / The Strange Door / Night Key)

No other name is as synonymous with screen terror as Boris Karloff. After skyrocketing to international stardom in Universal's Frankenstein and The Mummy, this film icon continued to break ground in an electrifying slate of popular horror classics. Now see this unrivaled movie legend in five of his most spellbinding and memorable roles in this collector's set that cements Boris Karloff's status as a true giant of American cinema. Night Key (1937): Karloff ignites the screen as the ingenious inventor of a security system who is kidnapped by a gang of burglars and forced to help them commit robberies. Tower of London (1939): Basil Rathbone and Boris Karloff star in this horrifying true tale of a ruthless king's rise to power with the help of his mad and murderous executioner. The Climax (1944): In his first color feature, Karloff is terrifying as a mad doctor whose insane jealousy over a beautiful opera singer may once again drive him to murder. The Strange Door (1951): As the servant of an evil nobleman, Karloff plots to free the madman's helpless prisoners but finds himself facing the horrors of the dungeon's deathtrap. The Black Castle (1952): Karloff is mesmerizing as a doctor who risks his own life to save the captives of a mad count in this gripping tale of betrayal and revenge.
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When Puppets and Dolls Attack! (2004)

Step aside Chucky! From the Masters at Full Moon Horror comes: When Puppets and Dolls Attack! A 3 hour jam packed compilations of Classic Kills, Mayhem, Mischief, and Terror from the most Terrifying Puppets and Dolls ever created. ""Yes! Your worst Childhood nightmare has just come to life! It's Time to Play!
Unlike the pooly conceived "Boogeymen" dvd put out a few years ago (by a different company but premise is the same), this dvd actually delivers what it promises. It includes the attack/kill scenes from: Puppet Master 1 through 7, Demonic Toys, Dollman Vs Demonic Toys, Ragdoll, and Blood Dolls. As for extra features, it includes the videozones for all the films mentioned except Blood Dolls and replaces it with Totem (?!). A great disc for fans, but if you're wanting an actual movie, look elsewhere.
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Sexorcism Double Feature (2 Disc DVD)

From the vantage point of the 21st century, the 1970s seems like a wild and woolly time, a period when artists and entertainers took advantage of the strides made in the 1960s and created work that was ground-breaking… and in many cases uniquely bizarre. The two "adult" films included in the Sexorcism collection belong in the latter category — they’re gonzo creations that mix horror clichés with hardcore action, contain surprising plot twists, and boast the sort of tacky costumes and makeup that scream "Seventies!" They are also wildly sincere, meaning that even though the moviemakers worked for purely commercial reasons, they added perverse little grace notes to exercise their imaginations and, in the case of The Devil Inside Her, to indulge a dark taste for sex.

The directors of both pictures have acquired cults, in no small part because of the singular strangeness of their output. The director of Sacrilege (1971), Michel J. Rogers, may have coined the term "incredibly strange" that has been used to describe cult/camp favorites, but Zebedy Colt, the man who made The Devil Inside Her (1977), seems to have been an incredibly strange figure off-camera as well as on. Whatever the case may be, they both made adult cinema that was light years away from the deadeningly predictable fare churned out today.

DVD DISC 1 -- SEXORCISM featuring:
• THE DEVIL INSIDE HER (1977)
• SACRILEGE (1971)

DVD DISC 2 --
• The Lost Loop Collection featuring rare and obscure 16mm "loops"
• BOOKLET featuring photos and historical liner notes
• After Hours Retro TRAILER VAULT


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Audition (1999)

For much of its running time, Audition doesn't even feel like a horror film. It starts almost like a gentle romantic comedy with a middle-aged widower named Aoyama (Tetsu Sawaki) goaded into agreeing with a film producer pal's scheme to find him a new wife by holding fake movie auditions. As things develop, their plan seems more and more dodgy but nothing can prepare them for the final outcome. Delicate ex-ballerina Asami (Eihi Shiina) seems the most likely candidate for Aoyama, but her references don't check out, and the audience is tipped off early by seeing her home life: alone in an empty apartment with a mysterious sack. A sack that occasionally groans and moves.
Made by the ridiculously prolific Takashi Miike (who also made a TV miniseries, two TV movies and three other feature films in the same year) it's a film best approached with little foreknowledge. It inspired lesser film-makers to make plenty of violent, empty gestures of movies. But Miike has a message within Asami's madness, without which the film wouldn't hit as hard as it does. The final minutes are as unbearable as film can get.
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Onibaba (The Criterion Collection)

Deep within the wind-swept marshes of war-torn medieval Japan, an impoverished mother and her daughter-in-law eke out a lonely, desperate existence. Forced to murder lost samurai and sell their belongings for grain, they dump the corpses down a deep, dark hole and live off of their meager spoils. When a bedraggled neighbor returns from the skirmishes, lust, jealousy, and rage threaten to destroy the trio's tenuous existence, before an ominous, ill-gotten demon mask seals their horrifying fate. Driven by primal emotions, dark eroticism, a frenzied score by Hikaru Hayashi, and stunning images both lyrical and macabre, Kaneto Shindo’s chilling folktale, Onibaba, is a singular cinematic experience.
A curse hangs over Kaneto Shindo's primal Japanese classic like a looming storm cloud, but the supernatural has got nothing on the desperation and savagery of the human animal trying to survive the horrors of war. In 16th-century Japan, a hardened middle-aged woman and her young daughter-in-law have turned predator to survive, murdering the soldiers who wander into the sea of pampas grass surrounding their hut and selling their weapons for rice. When their war-deserter neighbor returns home and makes his moves on the young woman, their numb equilibrium is complicated by greed, jealousy, and lust. The consequences are terrible and not exactly surprising, but they are gripping. Shindo's unnerving close-ups, bobbing handheld camerawork, and soundtrack of pounding drums and howling flutes gives Onibaba a queasy intensity. Shooting in stark black and white, he makes even the waving of the grass look ominous as it all but swallows everyone who enters.
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Kwaidan (The Criterion Collection)

Winner of the Special Jury Prize at Cannes, Kwaidan features four nightmarish tales in which terror thrives and demons lurk. Adapted from traditional Japanese ghost stories, this lavish, widescreen production drew extensively on Kobayashi's own training as a student of painting and fine arts. Criterion is proud to present Kwaidan in a new ravishing color transfer.
A masterpiece of filmmaking artifice and mood-setting atmosphere, Kwaidan consists of four ghost stories adapted from the fiction of Greek-born Lafcadio Hearn (a.k.a. Yakumo Koizumi, 1850-1904), who assimilated into Japanese culture so thoroughly that his writings reveal no evidence of Western influence. So it is that these four cinematic interpretations--perhaps more accurately described as tales of spectral visitation--are sublimely Japanese in tone and texture, created entirely in a studio with frequently stunning results. There are painterly images here that remain the most beautiful and haunting in all of Japanese cinema, presented with the purity of silent film, sparsely accompanied by post-synchronized sounds and music (by Toru Takemitsu) that enhance the otherworldly effect of director Masaki Kobayashi's meticulous imagery. When viewed in a receptive frame of mind, Kwaidan can be intensely hypnotic.
Each of the four stories find their protagonists confronted by spirits that compel them to (respectively) make amends for past mistakes, maintain vows of silence, satisfy the yearnings of the undead, or capture phantoms that remain frightfully elusive. As each tale progresses, their supernatural elements grow increasingly intense and distant from the confines of reality. With careful use of glorious color and wide-screen composition, Kwaidan exists in a netherworld that is both real and imagined, its characters never quite sure they can trust what they've seen and heard. Vastly different from the more overt shocks of Western horror, the film casts a supernatural spell that remains timelessly effective. --Jeff Shannon
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