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D'Wild Wild Weng (1982)

Weng Weng was christened as Ernesto de la Cruz and was the youngest of the five de la Cruz children (all boys). Weng Weng was born with a medical condition known as primordial dwarfism, which caused him to only grow to a height of 2 feet and 9 inches tall. According to his brother Celing de la Cruz, when his mother gave birth to Weng-Weng, his size was "no bigger than a small coke bottle", this forced Weng Weng's parents to place him in the care of the hospital incubator for the first twelve months of his life. During this time, the doctors were advising the de la Cruz couple that Weng Weng might not survive but miraculously he did, and being devoted Catholics, the couple showed their devotion to their faith by dressing and parading a young Weng Weng as Santo Niño each year for the annual Baclaran parade.

Weng Weng starred in this 1982 western D'Wild Wild Weng, playing a character called "Mr. Weng". In the film, he and sidekick Gordon (Max ZUMA Laurel) are sent to the countryside to investigate the murder of Santa Monica's mayor. The town is now overrun by the corrupt governor Sebastian (played by Romy Diaz) and his army of banditos, all dressed up to look like Mexican revolutionaries. The ending has Weng cranking a Gatling gun - on the back of a jeep - mowing down wave after wave of sombreros, while a tribe of dwarf Indians launch a counterattack with bows and arrows.
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Count Tsakona and His Draculettes (1989)

In this offering, Kostas Tsakonas (a champion of the SOV comedy of the era) as a wimpy poor guy & petty thief who lives with his nephew, is chosen by the arch-Dracula to rule Greece, since he's a long lost relative of the vampire family, and since the current Prime Minister has sucked the Greeks dry (yes, there's some awful not-so-subtle dated attempts at political satire in there as well). What follows is Tsakona's transformation and consequent attempts to adjust to his new vampiric lifestyle, while a clumsy exorcist and some of his fellow villagers are after him.

The title says it all really, this is a fine example from the glory days of the Greek SOV 'industry' of the 80's. Today this all looks horribly silly, badly written, cheaply produced and directed trash, but back then this was wholesome family home entertainment for the weekend.
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The Ultimate Degenerate/The Lusting Hours/In Hot Blood

"A Shameless Tangle of Carnality!" Director Michael Findlay is Spencer, The Ultimate Degenerate, a crippled psycho in a wheelchair who fills his home with naked women who perform strange sex shows after he injects them with an aphrodisiac that gets them "tuned-up for love." But when Maria, a cheerful exhibitionist, visits his home, she quickly learns that Spencer, like this movie, is "on the verge of insanity," especially after she's given a drug that makes her both paranoid and a tad homicidal.... Another diseased masterpiece from Michael and Roberta Findlay, the twisted team responsible for The Touch of Her Flesh and Take Me Naked! Plus: Michael and Roberta Findlay are among the "parasitic masters of perversion" -- along with call girls, lesbians, an S&M-loving photographer, and a whip-wielding transvestite -- who prowl during The Lusting Hours in this unhealthy expose of the world of hookers with a disquieting emphasis on the depraved! And: When "an ordinary girl with an extraordinary body decides to put that body to work," it can only end one way -- with a meat-cleaver massacre. Obviously. But first, of course, she must become a fashion model. All of which is detailed in In Hot Blood, a film that wastes no time diving headfirst into the gutter! So, c'mon! Let this Twisted Threesome suck you "into a vortex of voluptuousness from which there is no escape!" Over 3-1/2 Hours of "Hot Passions of Erotic Abandon!"
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Alice in Acidland / Smoke and Flesh

Another interesting title in the Something Weird series, but interesting mostly only as a late-night curio of sleazy 60's weirdness.
"Alice," a low-budget skin flick, is about an ordinary L.A. teen and her swift descent to the looney-bin once she's lured by her seductive female teacher into the world of drink, drugs, sun and sex.
That description makes it sound much more engaging than it actually is: Alice is... to put it delicately... not overly attractive and not excessively talented as an actress. The film quality is sketchy (lots of jump-cuts and segments without audio) and the action is glacially paced. We're talking slow going and most of the sex involves Alice writhing and making spastic "oh!" faces in response to simply being held by her lovers (no touching, basically).

A sequence in which Alice drops acid is presented in color and it's so slow and dull it makes you wonder if the filmmakers mistook Ny-Quil Liqui-Gels for LSD.
If you're looking for funny sound-bites or want a wacky, unseen film to project on the wall of a loft-party, this is all you. It's not good for much else.
"Smoke and Flesh" is actually a lot more interesting. Editor, director, cinematographer Joseph Mangine had clearly seen, and been influenced by the French New Wave and also movies like "Touch of Evil." The story (one hipster's swingin' party is interrupted by volatile bikers on acid) ain't much but visually there's style to spare. The opening motorcycle ride through New York is so cool and atmospheric it could've been filmed by some video wunderkind circa 1998 and there are other highlights as well -- a "Pulp Fiction"-esque joint rolling, a spooky attack in an attic and a nicely-shot sequence in which whip cream is applied to the body of a young party girl. Scriptwise, they got nothing but compared to "Alice" it's practically Godard.
A hidden feature about the aphrodesiac effects of weed is a hoot, though it grows boring.
The best part is a collection of about 10 previews for similar movies ("The Pusher," "The Acid Eaters" and "Confessions of an Opium Eater"). That alone makes it worth netflixing or buying used at a low, low price.
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Satanis: The Devil's Mass / Sinthia: The Devil's Doll (Special Edition)

An up-close look at Church of Satan founder Anton LaVey and the satanic shenanigans filmed inside his infamous San Francisco "Black House" back in 1969, "Satanis, the Devil's Mass" (86 minutes) is a wonderfully oddball documentary inside one of America's darkest pop-culture curiosities. Along with nude women decorating the altar to a man dressed as a bishop who gets his fanny whipped before climbing in a coffin, you're treated to interviews with LaVey (wearing silly little devil horns) and his flock along with various startled neighbors! Plus, after murdering her parents and setting the family home on fire, Cynthia Kyle becomes "Sinthia, the Devil's Doll" (77 minutes) when Lucifer forces her to wander through a psychedelic world of dreams in this ultra-bizarre mix of skin, daddy-lust and art-film exploitation from cult fave Ray Dennis Steckler. Remember, "If you're gonna b ea sinner, be the best sinner on the block!"
This 1970 film is a great, honest, non-hostile, un-biased documentary presentation of the early days and general proceedings of the Church of Satan---possibly the only such one other than Nick Bougas' Speak of the Devil from 1993. While I personally prefer Speak of the Devil because I felt it captured more of LaVey the person---his intelligence, his charisma and his personality---this is nonetheless a gem. It captures the spirit of the time so vividly, and the ritual scenes are very moving, though I am a Satanist so perhaps you would consider me biased. But even from an aesthetic standpoint, the stunning gothic solemnity and high nobility of these dark ceremonies will make you feel SOMETHING I hope. If not, check your pulse. I also especially like that a lot of this documentary is dedicated to speaking to regular everyday people in the area and letting them talk about how they feel about having the Church of Satan in their neighborhood. Some are supportive, some quite displeased. If you are a Satanist or are at all interested in the Church of Satan's history, check this out. Now I don't know quite what to say about the bizarre hypersexual Z-movie Sinthia: The Devil's Doll which seems almost like a random thing to slap onto a DVD with this serious documentary. I love incredibly weird movies though, so I didn't mind, but the squeamish and faint-of-heart will find themselves skipping out on the bonus film.

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Extra Weird Sampler

EXTRA WEIRD SAMPLER presents clips from over 100 of the strangest and most fantastical films ever made. From THE AMAZING TRANSPLANT to WRESTLING WOMEN USA, this sampler has it
I watched this 4-5 years ago and got interested in these movies, so I bought a couple of them. I am now hopelessly addicted to SWV and have almost all of the Special Edition DVDs. I've spent way too much money and have had way too much fun watching these B-to-Z grade films!

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True Gore II (1989)

Don't be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)--M Dixon Causey's follow-up to the eponymous first entry--has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you'd find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s.

The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form; the 'intestines' stuffed into the mouth of the rotting corpse during the necromancy ritual, for instance, are clearly-visible sausage links, with no effort being made to disguise this (quite the opposite). Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a 'researcher' for a film that clearly had none, and a 'visual archivist' being listed in place of a cameraman.
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Cannibal Lunch Box (Triple Feature)

WARLOCK MOON -a bizarre blood cult is on the prowl for human sacrifices! A beautiful college co-ed is lured to an abandoned country club by a strange coven of cannibalistic witches, ghosts and brutal axe murderers. Will she be able to thwart their plans to recruit new victims for ritualistic murder? Or will she be the main course in a blood cult banquet? Starring a young Laurie Walters of TV s Eight is Enough and Joe Spano of TV s Hill Street Blues. BLOOD FEAST II
-from the godfather of gore, Herschell Gordon Lewis, comes from the most eagerly awaited sequel in the annals of splatter cinema! The cannibal caterer is back with a new recipe for gross-out, comedic carnage that literally blows chunks across the silver screen! From the groundbreaking production team of H.G. Lewis and David Friedman. MAN FROM DEEP RIVER -follow a photographer as he journeys through the treacherous jungles of South East Asia. Attacked and captured by a tribe of jungle dwelling savages, he attempts an escape, and commits a barbaric act that strangely earns him the respect of the natives. As a sign of acceptance, the tribe attempts to assimilate him into their fold, initiating him through a series of brutal and sadistic rites! Can he survive!
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Knock Outs (2011)

When call girl Cindy gets busted under the new 36 Strikes Law, she receives the maximum sentence of “Life in Prison without Parole”. Desperate to beat the rap, Cindy agrees to become a Special Agent for the Feds on the condition that she infiltrates the illegal Female Fight Club that exists in the prison. What happens next is the sexy fight of her life as she uses her skills to get inside the club and bring it tumbling down.
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She Wore a Yellow Ribbon [Blu-ray]

Joanne Dru teams with The DUKE again in this Technicolor marvel (after appearing together in "Red River" the year before). In this one, Dru plays a young romantic hopeful for both John Agar and Harry Carey, Jr.
Monument Valley never looked better. The stormclouds are stunning, even if the fake lightning is not. And the sunsets! Only Technicolor can capture the colors with such brilliance!
While I prefer "Rio Grande" and the lamentably-not-on-DVD-yet "Fort Apache", "She Wore a Yellow Ribbon" plays more as a quiet homage to the cavalry than the actionfests of the other two films. Not that this film is sparse on action! However, the focus here is most definitely on the honor and wisdom of the old guard.
As usual, Ford has many subtle threads woven in to the plot of the film that enhance the story with backstories that are only hinted at. The most notable of these is the former Confederate soldiers, now part of the U.S. Cavalry. Their honor is intact, and they are still true to their ideals, despite wearing the uniform of the Yankee. There is, we know, much more to their story, but we see just what we need to. Any more, and the real story would get lost, the focus moved to the wrong place. How many modern directors make the mistake of letting this happen again and again and again? Too many, for sure.
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Blood for Dracula (1974)

Paul Morrissey's moralistic take on modern values is a brash mixture of humor, horror, and sex - and a revelation to fans of the horror film. In Blood for Dracula, the infamous count searches Italy for virgin blood

On my recent trip to Japan I had ample opportunity to check out some of their movie stores, and browse blu-rays. Let it first be said that trying to find anything specific over there is a frustrating experience, because even their english titles are sorted by katakana (unlike with music). However, since so few of their Japanese titles have english subtitles, and their english-language titles are mostly available much cheaper elsewhere, there were only a couple specific blu-rays I was really after anyways. 

One of which was the Japanese release of Blood for Dracula. Both Blood for Dracula and sister film Flesh for Frankenstein have been released only in Japan and Australia, and screenshot comparisons have shown that the Australian releases are vastly inferior. Knowing this, I searched Tokyo for a copy of Dracula, and in my last week there, finally found it in the Tower Records in Shibuya.
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Nurse Sherri (1978)

Horror movie about a demented professor of the occult, whose soul jumps into the curvaceous body of Nurse Sherri (Jill Jacobson) shortly before he dies on the operating table. The possessed lady in white then begins stalking, seducing and kill people - even her boyfriend - until someone puts an end to the madness.

Director Adamson and producer Sam Sherman weren't afraid to make a film, edit footage out and then edited stuff in just in order to make it sell. If you go through their work together you'll see several examples where they make a movie, it doesn't sell so they add something in to make it a drive-in hit. That's the case here as they delivered a "naughty" nurse type film but then decided to add in more horror elements, ala CARRIE and the end result was pure gold at the box office. Originally released with more horror elements, the latest DVD offers the long lost "adult" version, which features more nudity and that's the version I watched.
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